![]() ![]() The baseline should be designed to sound as neutral (flat) calibrated near-field stereo studio monitor speakers, as heard by a human in a reasonably treated recording studio room. Based on this methodology, we propose a new standard in headphone tuning, the SoundID SR, which suggests looking at the headphone sound as a sum of two components: a neutral baseline that matches the sound heard by content creators in the studio and a curve that’s either designed by the manufacturer or personalized on a user level. Sonarworks has developed a headphone frequency response measurement methodology that yields result closely matching human perception. Furthermore, our research shows that user preferences are also varied and do not converge on one sound target, and in 78% of the cases, consumer experience can be enhanced through frequency response target personalization. Also, the headphones on the market exhibit very little consistency of frequency response, even within a single manufacturer’s catalog. ![]() The measurement equipment that is available on the market, yields diverging results, and none matches human perception to a sufficient degree. ![]() There is no dominant standard on how to measure headphone frequency response. Currently, each headphone manufacturer develops frequency response sound targets using proprietary methods. ![]()
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